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"Painting...
isn't based on three dimensions, but on four. The fourth dimension
is a projection of myself... The other three dimensions are based on the
vision of both eyes... the fourth dimension is based on the essential
nature of vision, which is creative." -Kokoschka |
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Portraits
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| Alma Mahler,
1912
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Adolf Loos,
1909
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| Baron
Viktor von Dirsztay, 1911
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Franz
Hauer, 1913
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| Lotte
Franzos, 1909
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Karl
Kraus II, 1925
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Counselor
Ebenstein, 1908
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Lovers
With Cat, 1917
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Auguste
Forel, 1910
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Woman in
Blue, 1919
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Theodor
Heuss, 1950
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Father
Hirsch, 1907
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Theodor
Körner, 1949
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Hans and
Erika Tietze, 1909
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Marczell
von Nemes, 1928
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Herwarth
Walden, 1910
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Self-Portraits
"I
believe, in all seriousness, that I am now the best painter on
earth." -Kokoschka, 1922
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| Self-Portrait
of a Degenerate Artist, 1937
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Self-Portrait,
1913
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| Knight
Errant, 1915
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The
Tempest, 1913
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.jpg) |
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| Self-Portrait
(Fiesole), 1948
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OK,
Arms Crossed, 1923
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| Kokoschka's very own stamp!!
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Two
Nudes (The Lovers), 1913
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Landscapes
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| Dresden
Nuestadt, 1921
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Amsterdam,
1925
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London,
Tower Bridge II, 1963
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Venice,
Punta della Dogana with View of San Giorgio, 1948
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| Market
in Tunis, 1928
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Lyon,
1927
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Other Works
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| Pieta,
1908, Poster created for the open-air theater of the
Kunstschau, depicting Murder, Hope of Women
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Scene
from a performance of Job,
also known as Sphinx und Strohmann
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| Still
Life with Lamb and Hyacinth, 1910
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Still
Life with Putto and Rabbit, 1913
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| The
Power of Music, 1920
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The
Tiger-Lion, 1926
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| Anschluss
- Alice in Wonderland, 1941
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The Red Egg,
1940
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| Mandrill,
1926
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Loreley,
1942
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Arab
Women, 1929
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The
Dreaming Youths
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The
following plates are taken from Kokoschka's
Die Träumenden Knaben
as well as his postcards from
Wiener Werkstatte |
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| The
Girl Li and I
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Girl
by the Window
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| The
Sailors are Calling
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Sleeping
Woman
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| The
Distant Island
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Three
Shepherds, Dog, and Sheep
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"This
fellow's bones ought to be broken in his body!"
-Archduke Franz Ferdinand
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